[Books]​

*<수학, 음악을 말하다> (2025, Digitalbooks, J&jj  Publisher) 
error correction page of the book

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[Paper]

*<About Distortion: Formalization of well-known methods and introduction of new methods> (2021)  
-Invited to KEAMSAC 2021, Seoul
-Published in "Emille" Vol. 19

*<Physically modeling Sanjo-Gayageum's sound based on Karplus-Strong algorithm> (2021)

*<About output signal after Non-linear transformation: Based on the N-th power of sinusoidal wave> (2022)
-Invited to KEAMSAC 2022, Seoul
-Published in "Emille" Vol. 20

*<Interpreting Dynamic Stochastic Synthesis of Iannis Xenakis in Frequency Domain> (2023, Music Technology Master Degree Dissertation Paper)

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[Essays]

*<Instrument and Tool, Performer and Body  — Beyond the Experiment of Thought> (2022)
-Preview for Jeonghyeon Joo's Concert "Art of Bowing"

*<초저예산 창작곡 연주회 제작기, [우리민족끼리 vol. 0]> (2024)
-<오늘의 작곡가, 오늘의 작품 26호> 중 "창작의 현장"

*<2025 대한민국 작곡제전, 그리고 작곡가 윤이상을 돌아보며> (2025)
-<오늘의 작곡가, 오늘의 작품 28호>

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[Arrangements]

* <Cadenza Mix> (2022)
-for solo flute (remix of Nielsen, Debussy, Roussel)