​[Paper]

*<About Distortion: Formalization of well-known methods and introduction of new methods> (2021)  
-Invited to KEAMSAC 2021, Seoul
-Published in "Emille" Vol.19

*<Modeling Sanjo-Gayageum's sound based on the Karplus-Strong algorithm> (2021)

*<About output signal after Non-linear transformation: Based on the N-th power of sinusoidal wave> (2022)
-Invited to KEAMSAC 2022, Seoul

*<Interpreting Iannis Xenakis' Dynamic Stochastic Synthesis in Frequency Domain> (2022)
----------------------
[Essays]

*<Instrument and Tool, Performer and Body  — Beyond the Experiment of Thought> (2022)
-Preview for Jeonghyeon Joo's "Art of Bowing"
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[Arrangements]

​*W. A. Mozart <Piano Concerto no.23>
-to sextet(Tenor Recorder, Oboe, Viola, Cello, Guitar, Piano) (2021) 

* <Cadenza Mix> (2022)
-for solo flute (remix of Nielsen, Debussy, Roussel)

* A. Webern <Op. 6, 10> (2023-now working on)
-for solo piano