worklist
-works-
* <Rabbit eats Rabbit> (Filmmusic, 2016)
1. Roadkill
2. Simple swing (improvisation)
3. inner instinct
4. meat chase
5. Observation
6. Oboe ending
* <STEP> (Filmmusic, 2018)
for guitar, recorder
* <prelude in G for guitar and piano> (Filmmusic, 2023)
for guitar, piano and synth pad
-----------------------------------
* <Boys, be pornbitious> [소년이여, 야동을 가져라] (2016/19)
for 2ch fixed audio
7 min 34 sec
Commissioned by 12th Howlinglive & 3rd About Art Series
* <Artist Cemetery 1> (2017)
for 25-string Gayageum, Geomungo, Daegeum, Piri, Sheng, Haegeum, Percussions doubled by each players
ca' 15 min
Commissioned by ensemble PHASE
1. Epiphany
2. Tale of woe
3. Ruptured
4. Dirge
* <Scenery> (2018/24)
for Haegeum, Gayageum and Geomungo
ca' 8 min
Commissioned by ensemble PHASE
* TASK 2 <Polyphony Z> (2020/24)
for guitar, recorder, viola, mono channel electronic sounds and 3 cellphone speakers
ca' 16 min
Commissioned by Soobin Lee
* <최솟값과 환멸감> [In minimum and disillusionment] (2020)
for Prepared Piano, stereo audio exciter inside the piano, Toy piano, Singing bowl, Piano Microtone & Harmonics sampler
7-8 min
* <Haegeum Etude : I WED A TOY BRIDE> [해금 연습곡: 나는 작난감 신부와 결혼했다] (2021)
for Haegeum, Melodica and Percussion
ca' 14 min
written for Jeonghyeon Joo
-1 夜
-2 夜
* <Child on the death of songs> [죽은 노래를 그리는 아이] (2021)
for 2 Percussionists and Mezzo-soprano vocalist with waterphone and Tam-tam
ca' 10 min
commissioned by Soobin Lee, Eunmi Ko (CAMP)
* TASK 4 <Timecurve> (2022)
ca' 17 min(flexible length)
for Piano, Contrabass, Drumset, Electric Guitar, 4ch tape & live-electronics(2 ins, 4 outs) + 4 performers with mechanical clock
commissioned by ensemble TIMF
* TASK 1 <"m------>M------>M" with 15×3 snapshots> (2022)
ca' 15 min (Hommage to I. Xenakis & K. Stockhausen)
for Piano ,(1+2)ch Electronic sounds and Videoclip
commissioned by Uijin Oh, for the <Complete Piano Works of I. Xenakis> Solo Recital
* Algorithmic Composition
* TASK 3 <Caged dream of Stuffed Ludwig> (2022/24)
ca' 10 min
Chamber Concerto for Percussion ensemble, stereo sampler and Trumpet solo
commissioned and written for [CAMPGround 23] festival
* (Kevin von Kampen percussion ensemble and Arda Cabaoglu)
* <도피의 기록들>[Dopey's daybook] (2023/24) (now revising)
for sheng, violin and soprano vocalist and 2ch fixed + electronic sounds
commissioned and written for project [1.5°C and 34.7°F]
* <TapeMusic: Ritus des panikstörung> (2023/24) (now revising)
for Solo performer, Duct Tape, Cardboard box, Soundtrack, 3 Videoclips and Stereo Live Electronic sounds
ca' 10 min
written for About Art 2023
* <Small, solemn songs for the ones who passed away...> [떠난 자들을 그리는 작고 엄숙한 노래들] (2024)
for Sheng, Piano and stereo fixed + live electronic sounds
ca' 13 min
commissioned by Dabeen Jeon
* <간_______극(teum)> (2024)
for Sanjo Gayageum solo
ca' 13 min
commissioned by Na-Yeong Park
* New work for three 25-string Gayageum (TBD) (work in progress)
commissioned by Seoul Gayageum ensemble
* <Rabbit eats Rabbit> (Filmmusic, 2016)
1. Roadkill
2. Simple swing (improvisation)
3. inner instinct
4. meat chase
5. Observation
6. Oboe ending
* <STEP> (Filmmusic, 2018)
for guitar, recorder
* <prelude in G for guitar and piano> (Filmmusic, 2023)
for guitar, piano and synth pad
-----------------------------------
* <Boys, be pornbitious> [소년이여, 야동을 가져라] (2016/19)
for 2ch fixed audio
7 min 34 sec
Commissioned by 12th Howlinglive & 3rd About Art Series
* <Artist Cemetery 1> (2017)
for 25-string Gayageum, Geomungo, Daegeum, Piri, Sheng, Haegeum, Percussions doubled by each players
ca' 15 min
Commissioned by ensemble PHASE
1. Epiphany
2. Tale of woe
3. Ruptured
4. Dirge
* <Scenery> (2018/24)
for Haegeum, Gayageum and Geomungo
ca' 8 min
Commissioned by ensemble PHASE
* TASK 2 <Polyphony Z> (2020/24)
for guitar, recorder, viola, mono channel electronic sounds and 3 cellphone speakers
ca' 16 min
Commissioned by Soobin Lee
* <최솟값과 환멸감> [In minimum and disillusionment] (2020)
for Prepared Piano, stereo audio exciter inside the piano, Toy piano, Singing bowl, Piano Microtone & Harmonics sampler
7-8 min
* <Haegeum Etude : I WED A TOY BRIDE> [해금 연습곡: 나는 작난감 신부와 결혼했다] (2021)
for Haegeum, Melodica and Percussion
ca' 14 min
written for Jeonghyeon Joo
-1 夜
-2 夜
* <Child on the death of songs> [죽은 노래를 그리는 아이] (2021)
for 2 Percussionists and Mezzo-soprano vocalist with waterphone and Tam-tam
ca' 10 min
commissioned by Soobin Lee, Eunmi Ko (CAMP)
* TASK 4 <Timecurve> (2022)
ca' 17 min(flexible length)
for Piano, Contrabass, Drumset, Electric Guitar, 4ch tape & live-electronics(2 ins, 4 outs) + 4 performers with mechanical clock
commissioned by ensemble TIMF
* TASK 1 <"m------>M------>M" with 15×3 snapshots> (2022)
ca' 15 min (Hommage to I. Xenakis & K. Stockhausen)
for Piano ,(1+2)ch Electronic sounds and Videoclip
commissioned by Uijin Oh, for the <Complete Piano Works of I. Xenakis> Solo Recital
* Algorithmic Composition
* TASK 3 <Caged dream of Stuffed Ludwig> (2022/24)
ca' 10 min
Chamber Concerto for Percussion ensemble, stereo sampler and Trumpet solo
commissioned and written for [CAMPGround 23] festival
* (Kevin von Kampen percussion ensemble and Arda Cabaoglu)
* <도피의 기록들>[Dopey's daybook] (2023/24) (now revising)
for sheng, violin and soprano vocalist and 2ch fixed + electronic sounds
commissioned and written for project [1.5°C and 34.7°F]
* <TapeMusic: Ritus des panikstörung> (2023/24) (now revising)
for Solo performer, Duct Tape, Cardboard box, Soundtrack, 3 Videoclips and Stereo Live Electronic sounds
ca' 10 min
written for About Art 2023
* <Small, solemn songs for the ones who passed away...> [떠난 자들을 그리는 작고 엄숙한 노래들] (2024)
for Sheng, Piano and stereo fixed + live electronic sounds
ca' 13 min
commissioned by Dabeen Jeon
* <간_______극(teum)> (2024)
for Sanjo Gayageum solo
ca' 13 min
commissioned by Na-Yeong Park
* New work for three 25-string Gayageum (TBD) (work in progress)
commissioned by Seoul Gayageum ensemble
